To understand the threats of our time we should first be able to reach the city which is, ultimately, the nature's birthplace. The city is the only idea which we are allowed to defend, the only territory where war is once again the only political option that saves us from language and allows us to be modern again. In the city, art becomes useful again for those who have nothing to show. Facing all these threats finished by future, in front of all these lives thrown against our screens, the city fills of soil our words and it's where the tribe speaks the language of robots.

Leaving the countryside and walking over the road to the city means to walk over the road back to nature. However, and due to nature has died because we are not able to not see it, we only have left to take refuge in the future, to get back once again to the old ideas that progress offers us. Ideas that force us to be watched, that solve the dead light which should guide us and that prevent the problem to be.

Although we do defend ourselves and we do believe that we are protecting ourselves, in our transition from the countryside to the city, we have run out of enemies, that is, with nobody to save. The citizen, unlike the modern citizen or the artist, owes his power to the creation of the enemy. He knows that the enemy cannot be denied and this knowledge is used to receive the word. For the citizen, the enemy is never the idea with which the enemy forces you to win or lose nor is it the idea that prevents you from war.

The citizen, unlike ideas, is a problem generator. Without that citizen there is no subject to migrate to and the territories end up defending themselves from us and building walls for their own protection.

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